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Falcon Ridge Preview - Part I
July 23, 2008 | 11:55am | link to post

Since Falcon Ridge is only a few days away, I figured I’d post a few updates to lead up to the big day then report back after the festival with some behind the scenes information (metaphorically speaking since, as far as I know, there are no “scenes” to be either in front of or behind).

Most recently, festival organizers have asked that I drop off four press kits at the Press Tent so they can get them in the hands of “the right people.”  I don’t know who the people are who will want to know about the guy playing two songs at four in the afternoon; then again that may be/probably is why I never get any press.  Accordingly, press kits are currently under construction to have ready for Friday.

I have also been informed that I cannot appear on any other festival stage during throughout the weekend.  While the Emerging Artist Showcase is not strictly a competition, participants are considered for inclusion in next year’s Preview Tour and Most Wanted Song Swap; an appearance on another stage by one of the participants would be considered, reasonably enough, an advantage over the others.  This does not apply to informal gatherings or the “Night Owl Song Swap,” so I’ll have to see if I get any other opportunities to perform this weekend.

Speaking of performing: since that is ostensibly the actual point of the weekend, song selection has been my main focus over the past few days.  My ‘set’ consists of two songs or ten minutes, and since I plan to take full advantage of the opportunity to perform two songs, the long ones are out.  That narrows it down a bit, but still makes it tough to choose just two songs.  As anyone who has performed at or attended an open mic night knows, it can be very difficult to connect with and win over an audience with only a couple of songs.  Further limiting my selection iis the venue.  Playing outdoors to a sprawling audience pretty much rules out softer material; not that I’ll be banging away, but I won’t be softly picking any tunes either.

For the record, I think I have narrowed my choices down to three or four songs.  I realized today that two of the songs mention national holidays in their titles or lyrics: I doubt anyone else would notice (especially if I hadn’t mentioned it here), and I certainly didn’t intend to include a possible theme set as one of my choices (unless “Songs People Hopefully Won’t Hate” is considered a theme), so I don’t plan to eliminate either of the two songs from consideration on that basis.  In short, we’ll all see what I decide Friday.  Suggestions welcome.

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Little Rock Star
July 15, 2008 | 11:51am | link to post

Joan Anderman has a review in today’s Boston Globe of last night’s John Mellencamp show. The Mellencamp portion, as you can almost certainly guess, is skippable, but Joan does have some interesting information on the evening’s opener:

“Lucinda Williams also debuted songs from her forthcoming album, due in September, and from the sound of it this one is a full-blown rocker. Stonesy “Real Love,” the gritty waltz “Little Rock Star,” and a raw, fast blues called “Honey Bee” were natural extensions of “Changed the Locks,” “Come On,” and “Real Live Bleeding Fingers and Broken Guitar Strings,” all included in her opening set. It was a window on a woman growing tougher and stronger by the year.”

First off, it’s interesting that Lucinda would choose to debut new material as an opening act. This is either an act of a woman who: a) is so confident in the material that she believes she can win over the Mellencamp audience; b) thinks the Mellencamp audience would be unfamiliar with her work anyway, so she might as well try out the new stuff; or c) decided to take a nice payday as Mellencamp’s opener before touring as a headliner this fall after her record release.

I saw Lucinda headline the same venue last year, and she included the aforementioned “Honey Bee” in that set. If that is any indication of the rest of her new material, we’re in for a set of underwritten lyrics delivered in the unappealing growl she has adopted in the past few years to sing her harder rock songs. I’m afraid.

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